Track: 응프리스타일 (Eung Freestyle)
Artist: Live, Sik-K, Punchnello, Owen Ovadoz, Flowsik
Director(s): Visuals: DPR, KRSP, Lee Han Kyul Prod.: GroovyRoom Set: @markxhj
Release Date: 19th April 2016
Length of video: 2:31
Number of shots: 7
Average length of shot: 0:15
No. of shots in 30 second segment: 1
In the thirty second segment there are...
No. of CU: 0
No. of ECU:0
No. of LS: 0
No. of MS: 5
No. of Panning Shots: 0
No. of tilts: 1
Other shots: 1
It must be taken into consideration that the majority of the mid shots are taken from low angle to put each rapper into a position of power. The shot which I labelled as 'other' is a whip zoom occurring here where the thumbnail of the You Tube video is. From there, it tilts up quickly, to what appears to be 360 degrees and the audience is almost thrown into another environment where Flowski is seen in a room surrounded by a number of party-goers.
It must also be noted that the colour of the video is very negative in the sense that it appears to be dipped in red. Notoriously known for being a colour of anger, it seems fitting to use such a filter for such a video, especially considering the fact that the rappers tried to focus on what hip hop and rap had been in the past- A session of endless offensive slurs to an opponent in an attempt to make oneself feel superior to the other in terms of 'flow' of words and ability to freestyle. In this particular song, they seem assess the issue that rappers "요즘" (recently) had begun "sounding extra... lame" considering what recent pop culture has done to hip-hop and rap.
Furthermore, the reason I enjoy this song so much, is not because of the lyrics (parts of which I find crude and unnecessary), but the flow and the rhythm which matches the editing and special effects. I would consider using this technique of drawing over aspects of the video when making my own music video as the graphics emphasise the certain actions or words which should have significance or importance. On the left are a few examples.
It must be taken into consideration that the majority of the mid shots are taken from low angle to put each rapper into a position of power. The shot which I labelled as 'other' is a whip zoom occurring here where the thumbnail of the You Tube video is. From there, it tilts up quickly, to what appears to be 360 degrees and the audience is almost thrown into another environment where Flowski is seen in a room surrounded by a number of party-goers.
It must also be noted that the colour of the video is very negative in the sense that it appears to be dipped in red. Notoriously known for being a colour of anger, it seems fitting to use such a filter for such a video, especially considering the fact that the rappers tried to focus on what hip hop and rap had been in the past- A session of endless offensive slurs to an opponent in an attempt to make oneself feel superior to the other in terms of 'flow' of words and ability to freestyle. In this particular song, they seem assess the issue that rappers "요즘" (recently) had begun "sounding extra... lame" considering what recent pop culture has done to hip-hop and rap.
Furthermore, the reason I enjoy this song so much, is not because of the lyrics (parts of which I find crude and unnecessary), but the flow and the rhythm which matches the editing and special effects. I would consider using this technique of drawing over aspects of the video when making my own music video as the graphics emphasise the certain actions or words which should have significance or importance. On the left are a few examples.
The second screenshot is the opening of the music video where the audience sees Live being shaded into the shot before any of the other rappers.
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